無白 花植與書的家 A House of Flowers and Books
榮獲2022 金邸獎 TINTA Award 單層住宅類-提名獎
DESIGNER : 謝欣慧
作品介紹:
本案女主人、習修花藝多年,男主人熱衷於閱讀。這間揉合居住成員喜好的屋宅,恰似他們的生活,某些角落有著花植的生活意象,又同時乘載著生活軌跡。
如果公共領域是自然質樸的語言,那私領域,就延續著自然生活感的主調性。
先是位於屋內中央,多功能且多面向的餐廳區,為全家人最常相處的空間,在原有格局中變化,形成生活量體的轉換,也為閱讀區及私領域區做了緩衝。
當女主人專注醉心於花藝創作時,亦能偶爾抬眼,留意書房內女兒的動靜,空間與視線同樣串聯綿延。
透過自然氛圍的礦物塗料,營造由起居室主牆的強烈延伸至主臥室內的恬靜。整體無白的配色,留給女主人花植的展現舞台。主臥房與書房,透過礦物塗料的延展,烘托出空間層次的音律,臥房變成了單純的睡眠休憩的場域,而另由獨立衣帽間擴增出充足的收納機能。
想像著在家的每個角落,每個家人都能有著最適合自己的生活畫面;接著走過所有獨立與非獨立串聯之牆,是花藝展牆也是藏書的家,人與物,人與書,人與花書寫著彼此共同的語言,隨處一花一世界皆被細膩收攏進設計細節,結合綠意與藏書讓生活得以回歸初心,扎根本質,盡情生活探索精神內在。
“A House of Flowers and Books”
The hostess of the project has practiced the floriculture for many years and the host is also keen on reading. The room incorporating the hobbies of its residents is just like their living; the living image of flowers and plants present in some corners, and they also carry the traces of living
If the natural and austere language is used in public field, we can say that the main tonality of natural living sense continues itself in private field.
The multi-functional and multi-dimensional canteen area is located in the center of the house, where all the family members gather the most frequently; it changes in the original layout, promotes the living transformation and also works as a buffer for reading area and private area.
When the hostess is wrapped up in floriculture creation, she can also have a look at her daughter in the study. The space and sight are connected together as a whole.
The quite extending from the main wall of living room to the main bedroom intensively is created with the mineral coating in natural atmosphere. The overall color blending being clear of white leaves the hostess the stage for flowers and plants. By the extension of mineral coatings, the main bedroom and study can set off the rhythm of spatial layers by contrast; the bedroom becomes the field for pure sleeping and relaxation, and an independently set cloakroom can realize the function of storage.
Imagine that each family member in each corner of home can have the living which is suitable for himself the most; when one passes by all walls connecting dependent parts and independent parts, one will feel that they are not only the wall presenting floriculture but also a part of home with collected books. The people, books and flowers are creating and sharing the same language, and the idea of “one flower presents one world” is also presented in the details of design. The living returns to its original intention, takes roots in its essence and makes others explore its spiritual connotation with flowers, plants and collected books.