樂園. 1950’s Paradise

TOTAL FLOOR : 25P (83.5m²)

DATE: 2020.5 - 2021.07

SITE: NEW TAIPEI CITY , TAIWAN

DESIGNER : 謝欣慧

PHOTOGRAPHY : ANDY's Photography

作品介紹：

本案起心於男主人送給女主人私人藝廊的夢，空間設計從屋主蒐藏藝術品嗜好與舉辦私人聚會開始，以私人沙龍定義空間，將1950年代英國古董雞尾酒櫃作人與物交集的驛站，打造適切氛圍串流東西方古今珍藏，在這裡展開許多關於私人藝術藏品的對話與故事。​

空間用作私人沙龍會所，設計想法上以除去多餘牆體成開放式場域，以藝術藏品為佈局軸線，機能規劃留於動線端點。並著重色彩與燈光調配，實現具延展性的公共空間，立面線條和深色調製造時空錯位感，穹頂天花採軌道燈賦予展覽功能靈活性，赭紅色中式展間使視覺專注於展櫃與展品上。主家具陳列面朝開窗位置迎向外景，日光襯托50年代古董雞尾酒櫃，指引客人轉場中式藏品展間，目的使人群於視線流轉各藝品之間建立互動關係。

因應格局現況本身屋高不高，加上大樑壓頂，故設計手法上因應低樑結構，以微弧形狀消弭天花直角，使低矮入口處成為具時空張度錯覺的隧道，核心區格狀天花圓弧則爭取最大高度形成天穹印象，將空間塑作藝術畫框乘載美學的轉折變化。

設計形式上協調西方及東方意象，空間成為適當展示背景。以簡約形式為前提擷取古典元素，用色彩和孔雀圖案突顯中式莊重氣勢，又藉藝術壁漆顏色變化疊出層次，完成中西氛圍的轉換融合。

1950’s Paradise

This project originates from a dream of private art gallery sent by the host to the hostess. The space design starts from the hobby of artwork collection and holding of private ball of the host and the space is defined by private salon. The old-fashioned cocktail cabinet of UK in the 1950s is used as the place of people and matter interaction. A proper atmosphere is created for the interaction of ancient and modern collection of Eastern and Western worlds, and a lot of dialogues and stories on private artificial collections happen here.

As a private recreation club, the place has made its redundant walls eliminated to form an opening field in terms of design; the art collections are an axle of layout and the functions are planned at the ends. The design also pay attention to the color and light combination, and it can realize an extended public space, a sense of temporal-spatial mismatch created by lines on facets and deep colors; the ceiling makes the exhibition more flexible with track lighting, and the auburn Chinese-style exhibition hall can make one focus on showcases and exhibits. The main furniture faces to the windows and outdoor scene; the sunlight sets off the antique cocktail cabinet of the 1950s and directs the guests to the exhibition room of Chinese-style collections in order to make them watch various artworks and have interaction among them.

The room is not very high because of its layout and its roof is pressed by a major beam, therefore, the design is suitable for the low-beam structure and the right angles of ceiling have been offset by micro arc shapes; the low entrance becomes a tunnel causing an illusion of temporal-spatial distortion. The grid-shape arcs at the ceiling in core place create the altitude as possible as they can to form a figure of firmament; the space is shaped as an artistic frame to carry the aesthetic transition and changes.

The Western and Eastern images are coordinated in terms of design form and the space becomes the proper background for presentation. The design is based on simple form, it utilizes classical elements to project the Chinese-style solemnness with color and pattern of peacock, and the variation of artistic painting colors has also shown the layers to complete the transition and incorporation of Chinese and Western atmosphere.